In anticipation of the upcoming release of Between Before & After by Maureen Doyle McQuerry, we are pleased to share this special piece from her on fairytales.
When I was little, my mother read me fairytales. I remember Andrew Lang’s books, The Tall Book of Fairytales, and a peculiar story about a girl who jumped rope and could skip through a key hole and light as a feather on dandelion thistle. It took me years to track down Elsie Piddock Skips in Her Sleep, again. My father told a different kind of story. Especially when he was drinking. He told stories of surviving alone on the streets of Brooklyn as a ten year old flu orphan, about stealing food from Wallabout Market and hoping for the kindness of strangers. These were the stories that haunted his life.
It took me years to see the connection between the two types of stories I grew up with, and it was a fairytale, specifically Hansel and Gretel, that helped make that link. As I wrote my YA historical novel Between Before and After, I realized that the theme of survival and eventual redemption in my novel was intimately tied to Hansel and Gretel, and in a risky move, I wove a retelling of the fairytale between the chapters.
In Fairytales, the woods are dark and dangerous places where anything might happen. There are many tales of children lost, abandoned, or sent into the woods at the request of a parent or evil stepmother. Author and fairytale expert Terri Windling put it this way in her blog post Into the Woods,10: Wild Children: “The heroism of such children lies … in the ability to survive and transform their fate — and to outwit those who would do them harm without losing their lives, their souls, or their humanity in the process.” No one leaves the mythic woods unchanged. This is a truth I wanted to capture in my own novel.
Between Before and Afteris a mother daughter dual narrative set in 1919 Brooklyn, New York and 1955 San Jose, California. In researching my novel I discovered that in late 1800’s New York, up to 30,000 abandoned or orphaned children filled overflowing orphanages or lived on the streets. This vast number of orphans was due in part to the overwhelming number of destitute immigrants living in crowded tenements. By 1900 there were 16 million Irish immigrants alone. During these years, childbirth was still the number one cause of female mortality, leaving impoverished fathers with young children.
Then the Spanish flu arrived with its scythe and black cloak.
Many children became half-orphans, abandoned by one parent after the other died. For these children, the streets of our cities were the woods of the grimmest fairytales, dark, full of predators and danger.
Against all odds many of these immigrant children survived their sojourn through the woods without losing their humanity. Many, of course, did not. Surviving childhood is not always easy nor is it guaranteed. And that’s what the fairytales have warned us about all along.
This is my family’s story, but it’s the story of thousands of children who have had to follow breadcrumbs on perilous journeys to find their way home.
What is it about fairy tales that compels us, that resonates with the themes in our own lives?
JRR Tolkein in his magnificent essay “On Fairy Stories” talks of the eucastic turn or happy ending. The fairy story “denies universal defeat…giving a fleeting glimpse of Joy. Joy beyond the walls of the world, poignant as grief.” While fairy tales acknowledge and warn us of the existence of evil, they never pretend that evil is good or that despair has the final word. Fairy tales persist because in their themes, they tell us truths about the world.
Children still struggle in the woods today. Some are still locked in the witch’s house by parents’ addictions, cruelty, or dire circumstances. There is still a need for tales of hope, stories that say circumstances no matter how dark need not define you.
Find out more: www.maureenmcquerry.com